Judy Garland
Did Judy Garland really sing, “somewhere over a rainbow way up high”, or was it “somewhere over a rainbow weigh a pie”? Only joking, we all know the answer to that. Judy Garland In The Wizard Of Oz of course gave an absolutely brilliant performance as Dorothy. The film is an absolute classic and still gets shown on TV’s throughout the world on a regular basis.
Of course, Judy Garland isn’t only known for her role in Wizard Of Oz. She has also appeared in many other blockbuster movies, some of which we review below. Everyone know her as an iconic movie star, but else is there to know about the legend that is Judy Garland, or should we say Frances Ethel Gumm…….
Judy Garland
Judy Garland (born Frances Ethel Gumm; June 10, 1922 – June 22, 1969) was an American actress, singer and vaudevillian . Described by Fred …
She was of course a great singer….
Judy Garland discography
Judy Garland recorded scores of singles of her hit songs for Decca Records beginning in the mid-1930s. Garland began recording albums …
We have already mentioned her role of Dorothy in The Wizard Of Oz, but as it is such a famous movie we thought we would elaborate about it a bit more…..
Warner Bros. Oz 75th Anniversary Official Press Release | Judy …
http://judygarlandnews.com/
DOROTHY™ was portrayed by a 4’11″ sixteen-year-old girl who quickly earned her reputation as “the world’s greatest entertainer”—the incomparable Judy Garland. Ray Bolger appeared as the SCARECROW™; Bert Lahr …
She has appeared in many other movies, some of which you can check out here……
Judy Garland The Musical Movie Legend
Judy Garland managed to subdue her ongoing medical problems long enough to make Summer Stock in 1950, her last film with MGM and longtime collaborator Gene Kelly. In a throwback to Garland's "let's put on a show" films with Mickey Rooney, Kelly plays a theater director who sets up in Garland's barn to prepare his musical, but Garland has other ideas. Romantic entanglements ensue, of course, and Eddie Bracken, Phil Silvers, and Marjorie Main are on hand to lend comedic support. Following his mostly forgettable score in 1949's The Barkleys of Broadway, Harry Warren contributes another mostly forgettable score, though it's complemented with a few ringers from other songwriters. There are many enjoyable moments, however, including a lot of tap from Kelly. He and Garland share a tap duel at a square dance turned lindy hop, and Garland performs her classic "Get Happy" routine in a black jacket and fedora. Kelly also performs a solo number to "You Wonderful You" with no gimmicks--just a darkened stage, a squeaky floorboard, and a sheet of newspaper. --David Horiuchi
![Easter Parade [Blu-ray]](http://ecx.images-amazon.com/images/I/51CfFtC6ybL._SL160_.jpg)
Don Hewes (Fred Astaire) is devastated when his longtime dancing partner, Nadine Hale (Ann Miller), breaks up the team to set out on her own. Determined to prove that he can succeed without her, Astaire vows that he can pick any random chorus girl and make her a star. Fortunately for him, the chorus girl he picks happens to be one of the greatest entertainers of the 20th century, Judy Garland (playing Hannah Brown). Easter Parade turned out to be the first and only collaboration between the two screen legends. Garland made the 1948 film despite ongoing health problems then had to pull out of a planned follow-up, The Barkleys of Broadway (Ginger Rogers replaced her); Astaire had retired following Blue Skies in 1946 but was brought in for this film as an emergency replacement after Gene Kelly broke his ankle playing touch football. Fortunately, Easter Parade always feels like an Astaire film rather than a Kelly film, from its Pygmalion-esque plot (which helps explain the principals' 23-year age disparity) to its score of Irving Berlin standards (some new, some recycled from earlier films). The film capitalizes on the strengths of both stars, Astaire in dance solos, including "Drum Crazy" and "Steppin' Out with My Baby" (MGM's take on Astaire's earlier, persona-defining "Top Hat, White Tie, and Tails"), and Garland in vocal solos, including the torchy "Better Luck Next Time." The stars especially shine, however, when they perform together in their vaudeville numbers, most notably the persona-defying hobo routine "We're a Couple of Swells." Watch this classic every Easter. --David Horiuchi
Mickey Rooney and Judy Garland were not only great friends from the get-go, but MGM lost no time in throwing the childhood stars together on the screen to the gushing delight of moviegoers. This collection of four treasures includes Babes in Arms (Charles Winninger. 1939/93 min.), Strike up the Band (Paul Whiteman. 1940/120 min.), Babes on Broadway (Fay Binter. 1941/118 min.) and Girl Crazy (June Allyson, Nancy Walker. 1943/99 min.). 5 DVDs. B&w/NR/fullscreen.
Sometimes lively, sometimes pokey, this Technicolor MGM musical inspires mixed feelings in aficionados of the form--except on one point. No viewer will question why "On the Atchison, Topeka, & the Santa Fe" won the best song Oscar for 1946. This is a brilliant, inventive song given an epic staging. Director George Sidney pulls out all the stops for this wowser--even Marjorie Main sings, an eardrum-testing sound. The real-life Harvey Girls were waitresses imported to the far-flung Fred Harvey Hotels, civilizing oases along the railroad lines out west. The fictional Harvey Girls is set in Sandrock, where the traveling waitresses are joined by a sort of mail-order bride (Judy Garland) whose prospective husband is a bust--he's a roughhewn rancher played by Chill Wills. Garland is in fine spunky form; unfortunately, her romance is with John Hodiak (as the owner of a dance hall), that uninspiring World War II-era lead. The film's other great Johnny Mercer-Harry Warren song is the unexpectedly melancholy "It's a Great Big World," performed in a lovely trio by Garland, Virginia O'Brien, and the young Cyd Charisse. The tall, deadpan O'Brien also does a comic take on "The Wild, Wild West" while shoeing a horse. With kewpie-faced Angela Lansbury as a bespangled dance-hall gal and Ray Bolger high-stepping through a dance solo, there are enough good people on board to keep the wheels a-turning "all the way to Californ-eye-yay." --Robert Horton
EASTER PARADE Strolling along 5th Avenue or bumming around as A Couple of Swells, Judy Garland and Fred Astaire lead a parade of music (17 Irving Berlin tunes and an Academy Award-winning adaptation score) and gotta-dance fun in this neverending delight co-starring Ann Miller and Peter Lawford. MEET ME IN ST. LOUIS She's in love with the boy next door. And movie fans are forever in love with her Judy Garland in a nostalgia and humor-filled tale of life with the Smith family in 1903 St. Louis. Songs include The Boy Next Door, The Trolley Song and Have Yourself a Merry Little Christmas. SINGIN IN THE RAIN Considered by many to be the greatest movie musical ever! Silent movies are giving way to the advent of sound and a Hollywood matinee idol (Gene Kelly) is caught in that bumpy transition, as well as his buddy (Donald O'Connor), prospective sweetheart (Debbie Reynolds) and vocally-challenged co-star (Jean Hagen). THE BAND WAGON Fred Astaire dazzles in a train station (By Myself), a penny arcade (A Shine on Your Shoes), a back-lot Central Park (Dancing in the Dark) and a smoky café (Girl Hunt), the latter two with incomparable Cyd Charisse. Nanette Fabray, Jack Buchanan and Oscar Levant co-star, and as the movies hallmark song goes, That's Entertainment!
A girl is engaged to the local richman, but meanwhile she has dreams about the legendary pirate Macoco. A traveling singer falls in love with her and to impress her he poses as the pirate.
One of the finest American musicals, this 1944 film by Vincente Minnelli is an intentionally self-contained story set in 1903, in which a happy St. Louis family is shaken to their roots by the prospect of moving to New York, where the father has a better job pending. Judy Garland heads the cast in what amounts to a splendid, end-of-an-era story that nicely rhymes with the onset of the 20th century. The film is extraordinarily alive, the characters strong, and the musical numbers are so splendidly part of the storytelling that you don't feel the film has stopped for an interlude. --Tom Keogh
As a band singer guided to heights of show-business success by an alcoholic ex-matinee idol, Judy Garland performs one superb song after another (most by Harold Arlen and Ira Gershwin) in a production – also starring James Mason and directed by George Cukor – that exhilarates with its craft and style even as it moves toward a heartbreaking finale. Shortened after its 1954 premiere and reconstructed to near its original length in 1983, A Star Is Born endures as one of Hollywood’s supreme triumphs.
Judy Garland-Musical Movie Legend
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